8 things that will help your mixing that have nothing to do with mixing

Having a clean work space

An organized space reduces stress and helps you to fully focus on the task at hand…. making good records. Clean up your desk, throw out that old McDonalds cup and Doritos wrapper, pick up that gross pair of underwear. You’ll be amazed at how clearly you can think when you have a clean work area. Spending just 5 to 10 minutes prior to mixing making sure you don’t have a messy desk and floor is a good way to get your brain ready to focus.

Organizing sessions

I’ve mentioned this in my post 5 mixing mistakes I used to make and how to avoid them but it’s so important that I feel it’s worth stating again. Make sure you’re set up for session before you even get started on mixing. Bring up your tracks (preferably on a day you’re not actually going to be mixing) and set things up as if you are you are you’re own assistant. Label and color code tracks, make sure your edits are clean with crossfades, print tracks that need to be printed, set up your effect returns, and your busses. Have all of this done prior to getting started. This is easy when you have a mix template set up and ready to go.

Preparing beforehand

Make sure you know you won’t have to do anything during the time you set to work. I also like to set a start and stop time. This helps me keep myself discipline as well as a safety protection for overcooking a mix. I know my best mixes are usually done within 4-5 hours. Since I know this I like to stop after 4 hours and take a long break so I can reevaluate the mix after with fresh ears.

Most of us mix at home in our bedrooms, working at home is difficult because you’re at home and you’re easily accessible to all your distractions. Your roommate calls for you, your kid starts crying, your favorite TV show comes on… things can be distracting but not if you make sure all of these things are put away and as least distracting as possible beforehand. Which brings us to…

Turning off distractions

Turn off your phone, TV, lock your door, barricade yourself in– whatever you have to do to make sure that there is nothing there that can distract you. It’s really a luxury to get to work in a separate studio environment. Having a separate room to work in lets your brain know that when you’re in this room you are going to be working rather than working in a place like your  bedroom where you eat, sleep, and do “other” things. Your brain likes habit and if it’s used to working in one place you’ll be able to focus better.

Getting plenty of sleep

It’s easy to take sleep for granted. The older I get the harder it is for me to go without sleep. The more sleep you get the easier it is to focus for longer periods of time. You’ll also  have more stamina which will allow you to work longer and in turn will make you more productive.

Taking breaks

Every hour or two I like to take a 5 minute break and just step outside and give my ears a break. I like to freshen up my ears by listening to new sounds and hearing something a bit different. I don’t listen to music or like to talk too much but if it’s nice out, listening to the birds chirping or even just the cars passing by allows me to reset my ears so I can get back a fresh perspective.

Minimizing your sound intake before

Other than reference tracks, I try not to listen to music on a day I will be mixing to keep  my sound intake to a minimum on mixing days. I don’t listen to the radio and I tend to make sure I keep volumes low for everything until I’m ready to start mixing.

I will admit, I like to start mixing louder than most people. I like to feel the drums and bass when establishing initially levels. Eventually I’ll switch over to NS10s and lower the volume to a more reasonable level to fine tune and do a majority of the tweaking.

Setting the mood

It might sound a bit silly but dimming the lights, turning on your lava lamp or lighting a candle can really do wonders for the mood and vibe of your studio or mixing space. This allows you to feel more creative. I’m not a superstitious guy, I don’t believe in ghost or aliens but I do believe in being able to feel and sense a vibe. Mixing is all about feel, making sure you have a good mood set with appropriate lighting, scent, whatever it else it is, really helps you connect and feel the music more which in turn will allow you achieve better mixes.

Related articles:
The “your mixes sound bad in the car” phenomenon
[Even more] Things I wish I learned sooner about audio engineering
Things I wish I learned sooner about audio engineering
5 mixing mistakes that I used to make… and how to avoid them

David Silverstein

David Silverstein began engineering at the age of 14 when he purchased a Fostex four track cassette recorder. After high school he enrolled at Five Towns College where he graduated with a Bachelors of Professional Studies in Business with a concentration in Audio Recording Technology. He has worked under renowned engineers and producers Jim Sabella (Marcy Playground, Nine Days, and Public Enemy) and Bryce Goggin (Pavement, Spacehog, The Ramones and The Lemonheads). David currently works out of Sabella Studios in Roslyn, NY.

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