What’s more important microphones or preamps?

md421
“A good preamp can make a bad mic sound good but a bad preamp can make a good mic sound bad.”

What do you buy first, a good mic or a good preamp? If you’re a new engineer looking to start building your studio, this is a question you’ve likely struggled with. If you’re a more experienced engineer and you haven’t asked this question yourself, you’ve probably heard it asked on one of the many audio message boards, forums or Facebook groups.

The overwhelming consensus  seems to be that purchasing a good microphone is a better idea than sinking your money into a preamp. This seems to make the most logical sense, especially to an inexperienced engineer. The microphone is the one capturing the actual sound waves, it has to be the most important! The preamp is only adding volume, how much can that really improve the sound?

Your budget is a huge factor in the answer that I would give you. Though I believe the preamp is the more important stage of the signal path, a microphone may actually be the better choice for someone with a smaller budget. You can definitely improve the sound more, with a smaller investment in a microphone, than you can in a preamp.

A cheap Radio Shack mic through a cheap preamp is going to sound significantly worse than a Shure SM58 through that same cheap preamp. You only had to spend $100 to gain a significantly better sound. Now let’s go back to just having the Radio Shack mic, say you decide to buy a 800 dollar Neve clone preamp. You spent $800 yet I’d bet that the SM58 through the cheap preamp sounds better than the Radio Shack mic does through the $800 Neve clone. It’s going to take a lot more money to make that Radio Shack mic sound good with a preamp then it would by just purchasing a new microphone. But the Radio Shack mic through a $4,000 vintage Neve 1073, might actually sound pretty cool, the price tag is just a tad bit out of most of our budgets.

To put it simply,

A good preamp can make a bad mic sound good but a bad preamp can make a good mic sound bad.

Does that mean I’d rather record with a Radio Shack mic and a 1073 over an u87 and Presonus preamp? No, not at all. But it does mean that I give a higher importance and priority to the preamp than I would the microphone.

I think we all agree, like with everything in audio, different scenarios call for different answers. But generally speaking, If I could only have a really good mic or a really good preamp but not both, I’d take the preamp.

Related articles:
The story of the man behind the RCA 44 and 77 ribbon microphones
5 mixing mistakes that I used to make… and how to avoid them
The “your mixes sound bad in the car” phenomenon
Things I wish I learned sooner about audio engineering

David Silverstein

David Silverstein began engineering at the age of 14 when he purchased a Fostex four track cassette recorder. After high school he enrolled at Five Towns College where he graduated with a Bachelors of Professional Studies in Business with a concentration in Audio Recording Technology. He has worked under renowned engineers and producers Jim Sabella (Marcy Playground, Nine Days, and Public Enemy) and Bryce Goggin (Pavement, Spacehog, The Ramones and The Lemonheads). David currently works out of Sabella Studios in Roslyn, NY.

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